If you are an avid car audio enthusiast, it’s likely that you’ve seen photos of or heard systems that use high-efficiency pro audio style speakers. These drivers were designed for PA systems at concerts and can produce impressive output levels with moderate levels of power from an amp. In this article, we are going to look at the benefits and drawbacks of using pro-sound speakers in applications like a motorcycle.
What Determines Speaker Efficiency?
Before we dive into the differences between conventional car audio speakers and high-efficiency speakers, let’s take a quick look at the definition of speaker efficiency and what design features change this value.
Speaker efficiency specifications describe how much acoustic output a speaker produces for a given amount of input signal. A proper rating will look something like this: 88 dB (2.83 V/1M). This specification means that the speaker will produce a sound pressure level of 88 dB when driven with 2.83 volts of signal from an amplifier and measured using a microphone placed 1 meter away from the face of the speaker cone. Increasing or decreasing the supplied power will dramatically affect the specification. As an example, you may see companies use the 1 watt/1 meter standard. 2.83 volts is 1 watt of power into an 8-ohm load. For a 4-ohm car audio speaker, 2.83 volts is 2 watts. You can subtract 3 dB from the 2-watt specification to get the 1-watt number, and vice-versa.
Several technical design details determine speaker efficiency. One of the biggest factors is the weight of the cone and voice coil assembly. A lightweight cone assembly is easier to move and typically produces more output with less power. The drawback of this low-mass design is that the resonant frequency of the speaker will be higher and the driver won’t produce anywhere as much bass. This is the basic trade-off between conventional car audio speakers and pro-sound drivers.
Efficiency Versus Low-Frequency Output
When reproducing music, extended low-frequency extension adds a great deal of impact and realism to the listening experience. Vocals and midrange from the 175 to 200 Hz region are of course crucial, but adding another octave below that is the difference in between listening to music from a smartphone or a clock radio and the capabilities of a real stereo system.
Let’s compare two popular 6.5-inch woofers, both intended for car audio applications. Speaker A is a conventional car audio woofer designed to be used with a tweeter and is intended for installation in the door of your car or truck. Speaker B is a high-efficiency pro audio style midrange and will also need a separate tweeter to play above 3,000 Hz.
The graph below shows the predicted low-frequency response of Speaker A in red and Speaker B in yellow in an effectively infinite baffle application (a door or motorcycle fairing that isn’t sealed). The shown levels refer to each driver being supplied with 1 watt of power.
As you can see, Speaker A produces about 90.5 dB of output at 630 Hz where Speaker B is at 93.3 dB. The trade-off is that Speaker B only produces 81.4 dB of output at 70 Hz where Speaker A produces 84 dB. These numbers are actually pretty small, but the overall tonal balance of the two options would be audible.
If you look at some of the popular target equalization curves that tuners use, they typically tune for flat midrange response from about 3,000 Hz down to around 100 Hz. Emphasis in the upper midrange is not typically desirable. If you have a digital signal processor in your system, your tuner could use the equalizer to lower those frequencies, but that doesn’t make the bass region play any louder in absolute terms.
How Loudly Will It Play?
When it comes to motorcycle audio, clients want their systems to play as loudly as possible to drown out loud exhaust systems and wind noise while on the freeway. The defining factor in how loudly a speaker will play is its excursion capability. For our example above, Speaker A is rated to have an Xmax specification (one-way excursion limit) of 4 mm while Speaker B is limited to 1.2 mm because of its short, lightweight voice coil former.
The graph below shows how low each driver can play when driven with 70 watts of power before the cone assembly starts to leave the magnetic gap and distortion increases dramatically. With the high-efficiency pro audio speaker, you will have to implement a high-pass filter in the system to limit power below 150 Hz. With Speaker A, you can let the driver play down to 60 Hz before the voice coil starts to come out of the gap with the same amount of power.
Which Speaker Solution Is Right for Your Application?
Based on the science behind how speakers work, the argument for using a pro audio type speaker without the addition of a dedicated woofer of some sort seems illogical. If the amount of power you have available is limited, then a high-efficiency speaker might be worthwhile. With that said, even the smallest of high-quality amplifiers can produce at least 45 or 50 watts of power, which should be more than enough to drown out road and wind noise in almost any situation.
If you have plans to add a dedicated woofer to the saddlebag or trunk on your bike, and can find one that will play up to 150 or 200 Hz without significant distorting, then pro-style high-efficiency speakers may be a good option if all that matters is how loudly the system will play.
It’s worth noting: If you look at motorcycle and powersports-specific upgrade packages from companies like ARC Audio, Rockford Fosgate, JL Audio and Kicker, they all use a conventional speaker design that offers great bass performance.
If you need a hand choosing the right speaker for your application, drop by your local specialist car stereo retailer. They can provide some insight into the best solution for your vehicle and your listening style.
This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.
It’s the middle of the summer, and 
We can’t even fathom the number of audio system upgrades we see installed at big meets and rallies like Daytona, Sturgis, Laconia and Myrtle Beach. While leaving your pride and joy with the guys in a booth or trailer to upgrade your stereo while you grab lunch or dinner sounds incredibly convenient, occasionally long-term issues dramatically reduce the value of this purchasing option.
When you pull up to a shop to have your motorcycle audio system upgraded, you can be assured that the bike will be treated like royalty when it’s in their possession. A quality shop will have a storage rack covered in carpet or a blanket for your fairing, saddlebags, windshield or any other delicate parts that need to be removed to upgrade the bike. Many shops apply protective films over painted surfaces like fuel tanks and bumpers. We’ve heard stories where a scratch on a CVO Harley gas tank cost more than $1,000 to repair. Working outdoors doesn’t always provide the space to protect your bike from damage.
